That’s a lot of red. Moments like this I realise what a gift a photograph is. It’s just a box with a few toys inside. And there is nothing in their eyes but pure joy and excitement, nothing but happiness.
Wonderful little boys. Ben, protective big brother, my mate, the online gamer, growing into a handsome smart young man. Flynn, the solid little tike with his ‘coz coz coz’ arguments, hanging off my leg, the scrapper, the Playstation junkie. Luca, the little mischief with the cutest smile and voice and his treasures he carries everywhere, happy in his own space. Grabbing my other leg because Flynn says so. Dragging them down the hallway on my ankles to the toilet before bed.
How amazing are they. How lucky are we, beautiful kids that love us in spite of our flaws and failures. That strip away all the chaos and pain in the world and just make life simple. To see them win something, achieve something, so precious. At night I sit in the dark with them after they sleep, just listening to their precious little breaths. Today watching Ben playing his best game of soccer, I whispered in Flynn’s ear ‘I love you matey’ and he replied ‘I love you too dad’ and cuddled me tight and stayed there with his little head on my shoulder. Moments like that mean so much. As adults we often have to battle through a lot of walls to reach a place like that. It’s an amazing thing when you find it. So rare and special.
I wish so much I was the perfect Dad. So so much. All I can do from today and again tomorrow is try to be. Time travels so quickly, so fast. Makes you miss the people you love. Tomorrow is Fathers Day.. time to go sit in the dark.
Rain, wind, cold. Awesome.. Hopefully the first of many. Thanks to Leighton, my work buddy for the company. Uhh, man date.
Loading Leighton up with coffee for the run. Cunning. 6.00am start? Too early!
Lining up. Lotta people.
Done. Wet, cold, tired, and still smiling.
A few quick shots from the trip…
Tonight I came home from a long day of work and was greeted with smiles and tugs by my three beautiful sons, 5 yrs and 1 yr old twins. Amazing. But the babies needed to be fed and bathed and homework done and stories read as with every night, and with a rush they were in bed with bottles, tickles and a kiss.
And I sat down and ate and watched a little TV before more chores, washing, dishes, toys away. And my last task when all was quiet and everyone in bed, was Ben’s (my oldest) school lunch. His lunch box has compartments and last night I filled each with things he might like. And so I re-opened the compartments and found the empty plastic bag from the sandwich I made him, and the orange skins from the orange I packed, and the museli bar wrapper, and – untouched, the raisin and nut mix he never really liked.
And I thought of my little boy at school today, laughing with his friends and not knowing or caring who packed his lunch, or how it was put together with love and thought for what he might like and what was good for him, and smiled. A simple used lunchbox. But a sign of a wonderful new life, growing and learning. My boy. And again, I emptied the box and put new things in each compartment, tonight a little licorice for a surprise. And I know he won’t say thank you, not because he is ungrateful but because he is five, and forgetful, and lunch is lunch.
But I will know when the lunchbox is opened tomorrow night and the licorice and the mandarin and the museli bar are gone that I did something little that made my little boy smile that day…
Well if you’re a movie buff of any bearing you would be aware of the most excellent Indiana Jones flicks and their iconic classic 80’s movie posters. You would also have definitely seen some of legendary poster artist Drew Struzan‘s work (bow). His art for the Indy series is classic Jones, classic action adventure, they’re brilliant. Hell, everyone should have their own Indy Poster. In homage to Struzan, let’s do it.
A quick analysis of a few movie posters – you’ll notice a trend in either warm or cool gradient backgrounds with one highlight.
For this tutorial you’ll need:
- One skull or suitable spooky image
- One Aztec/Mayan type carving
- One hero shot, preferably backlit (of course yourself!)
- Shots of rocks, walls, trees, steps for a backdrop
- The SF Fedora Font set (get it here)
A standard movie poster is 27 x 40″ (68.6 x 101.6cm) with about 150ppi (pixels per inch) but that’s a big file so choose a size that suits.
We’ll start with a gradient of warm color. Bring up the gradient editor and add color points as shown, then apply.
Drop in and clearcut the skull, then use the EDIT>TRANSFORM>WARP tool to distort the image to a suitably scary state. DESATURATE to lose the color. I applied a PLASTIC WRAP filter to give it some sheen.
SKULL COLOUR – We’ll place the skull large at the top, and add a layer style by double clicking the skull layer in the layers tab. We’ll give it a COLOR OVERLAY (we’ll use a lot of these) setting the color to a bright orange and using a vivid light blend mode.
SKULL SHADOW – Duplicate the skull layer and erase all but the areas you want deep shadow. The eye sockets in this case. Then adjust the layer style to a deep brown with a COLOR BURN
SKULL HIGHLIGHT – Duplicate the original skull layer again, remove the layer styles and crank the contrast right up to get a few strong whites for highlights. Set the layer blend mode
to SCREEN. This will give the teeth some punch.
Now we’ll flatten the image and apply a little DRY BRUSH filter and some NOISE to give it a painterly gritty effect.
Ok that’s the background. Now a backdrop to frame our ‘hero’. Drop in some background rock or tree life, and DESATURATE. Apply plenty of contrast for deep highlights. Now apply another COLOR OVERLAY layer style using a deep brown color and linear light mode. Set the layer mode to SCREEN.
Now DUPLICATE the layer, remove the styles and set the layer mode to HARD LIGHT. A little DRY BRUSH can’t hurt either. Erase the edges a little to blend with the background.
Now let’s add some steps for our hero to stand on – another greyscale image with a COLOR OVERLAY layer style. This time set to SOFT LIGHT mode and a light brown color. We set the layer mode to LUMINOSITY on this one. As you might be starting to guess, there is experimentation here. Play. Learn. Enjoy.
Now we pick up speed. We take our Aztec carving, color it rich blue using the HUE/SATURATION tool, hollow it out using the eraser tool and place it at the base. Then we create a new layer and paint over it with black (with some opacity) so it’s subtle.
Now we’re ready for our hero. Create a new layer and airbrush in a white glow to sit behind the character. This is our focal point. Now add a layer style to this and use an OUTER GLOW with a yellow color. Glow on glow. Now we’ll paste in our character (handsome fellow…) To give it some inky grunt, I like to apply UNSHARP MASK with a high radius. Adjust LEVELS to a point you’re happy with, where the hero looks a part of the scene.
Now DUPLICATE the hero layer. Set the new layers mode to LUMINOSITY, and then apply a layer effect. In this case we want three effects to “style like Struzan”.
Outer Glow – This will give the character an ink-like outline. Set this to a very dark brown, blend mode to OVERLAY, a little SPREAD and a little NOISE until you get a rough brown outline
Color Overlay – This will give the character the same tone as the rest of the image. Set blend mode to OVERLAY and choose a soft brown to blend the character with the scene.
Stroke – this will mimic the halo outline of a backlight. Set color to white, blend mode to OVERLAY, position to CENTER.
Now to give the character a painterly feel, apply a little DRY BRUSH filter, excluding the face with a feather selection. A little NOISE and UNSHARP MASK perhaps for good measure.
Almost there! Just the text to go. For this you’ll need the Fedora set which you can find here.
Enter name here! To this text we’ll apply another layer style, this time with a heavy black DROP SHADOW, a GRADIENT OVERLAY (as shown) and a black STROKE.
Now we’ll select the text and click the CREATE WARPED TEXT tool in the text tool bar. Here we can use the ARC selection to bend the text slightly. Then rotate a little for lift. Indy would be proud.
Using the FEDORA TITLE font, we can complete the movie title… and our poster! Drew often uses paint spatter to soften his work, you could mimic this for a finishing touch by downloading or creating your own photoshop brush. Might cover that in another tutorial.
All kudos to Drew Struzan for this incredible style, his posters have been an integral part of cinema for as long as I can remember. Hell I grew up on them.
I hope you enjoyed this tutorial. Look forward to more in the future.